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Board
has been very popular among painters, preceding canvas in Europe in the
Middle Ages and Early Renaissance. Heavy impasto, and the use of less
traditional materials like enamels and more daring manipulations has given
it a new role in recent years. I started using ‘MDF’ (as is known in the
trade) on a regular basis for a series of 1995 paintings where I also
combined it with Perspex (a flexible and transparent sheet of varying
widths). I continued using ‘MDF’ for my show Analogies (1996) because the
techniques that I experimented with required a very strong support. It can
be heavy and therefore preferable for small scale formats.
Cecilia
Vargas
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